NPR recently re-aired their interview with Sir Patrick Stewart and he makes some comments about language. These reminded me of some comments he made when he was on “Wait, Wait… Don’t Tell Me!” Both of these are about Stewart’s regional variety (aka dialect or accent). So let’s hear Professor Jean-Luc X. Picard in his own words!Continue reading “Patrick Stewart on his Yorkshire speech”
Back in November*, the radio show On the Media did a segment on women’s voices in broadcasting. They took a different angle than we’re used to – instead of talking about the social and political factors used to police and silence women, they discussed the technological factors. Because of course there are also technological things keeping women out of public spaces.
On the Media talked to Clark University professor Tina Tallon about how audio recording and broadcasting technology was specifically designed to favor men’s voices over women’s. It’s a story that sucks, but the interview is interesting and worth a listen. Here’s the link to where you can listen to it: https://www.wnycstudios.org/podcasts/otm/segments/how-radio-made-female-voices-sound-shrill
* You’re not the only one who’s behind on their podcasts, friend.
Here’s a good article on the politics of language in America today. The article talks about how Democratic presidential candidate Julián Castro does not speak Spanish fluently. They make an excellent point of what this can mean to people:
The matter has become something of a litmus test from reporters whom Castro says ask him repeatedly why he doesn’t speak Spanish as though that were essential to being authentically Latino*.
The article also uses the word fluent a couple of times in the beginning, but then makes a good point about how this idea is a misnomer:
Proficiency in Spanish, and in any language, is more of a continuum than a box you can check, said Belem López, an assistant professor in the Center for Mexican American Studies at the University of Texas at Austin.
“People have these constrained ideas that you have to speak English perfectly and Spanish perfectly,” López said, “but really that doesn’t exist.”
And, of course, there are different standards for different people:
Latinos are expected to speak impeccable Spanish, while non-Latinos are showered in praise for speaking imperfect Spanish. When white Americans learn Spanish, “it’s seen as enrichment,” a sign of high social status and education, Tseng said. In part, Tseng added, this is because their “American-ness” is never up for question.
“If Tim Kaine goes out on the street and speaks Spanish, no one is going to shout at him, ‘Speak English, we’re in America!’ ” Tseng said.
But it ain’t all bad. Many Latino parents who did not learn to speak Spanish as a first language at home are encouraging their children to learn the language. And despite the ridicule that people have had to face for daring to speak a language other than English in the US, it seems the Latino community considers it important for future generations to know Spanish.
Guess what? It’s going to be important for non-Latino people too.
Check out the rest of the article here: https://wapo.st/2JNt5LU.
* The WaPo uses Latino throughout the article, which is why I’m using the word here instead of Latinx, the gender-neutral form of the word. If you want to know more about Latinx, see Merriam-Webster, Wikipedia and the Huffington Post.
There was a recent episode of the Trillbilly Worker’s Party podcast (ok, not so recent, but I’m getting caught up) where they talk about y’all. Not y’all reading this, but the use of the pronoun y’all. The episode featured journalist Brendan O’Connor, who asked what hosts Tarence Ray and Tom Sexton thought of the word. Specifically, O’Connor wanted to know what the hosts thought of his use of the word since it was not part of his dialect growing up, whereas it was for both of the hosts (who are from Kentucky and Texas). O’Connor feels that the word is great because it’s gender-neutral, it rolls off the tongue and it’s fun to say. The hosts agree.
In this discussion, however, co-host Tom Sexton lays down some sociolinguistics about the word y’all:
What I’m saying is, yeah, you’re right: I think in terms of gender neutrality and all that stuff, [y’all is] good. There’s a phenomenon in this sort of, like – you know, me and Tarence refer to it as the Y’all-Star Movement, but it’s sort of this, like, this New South thing where all these James Beard Award-winning restaurants that pay their dishwashers $2 an hour and, you know, they’re reviving the cuisine of the Geechee peoples of South Carolina that were brought here to work the rice and sugar cane fields and all this shit. And those people do something I call the Gratuitous Y’all, where they’ll just try to inject it as much as they can in a sentence. And it just sounds so jarring to me. Like, to me a good y’all should be like the intrusive R that English people use – it just helps the sentence flow better, you know?
After that, Tarence discusses how some people naturally use it, but there are people and businesses in the US South that try to use it to sound more authentically southern. And when they do, it comes off as the opposite – like they’re trying to be something they’re not. It seems obvious that the spread of y’all is (or would be) a bottom-up change, but I’ve never thought about that politics of bottom-up linguistic changes in this way. That is, the upper classes are being immediately recognized and critiqued for adopting y’all into their planned/edited language (their marketing, etc.) – at least by some of the people who use y’all spontaneously.
Check out the discussion of y’all at minute 1:11:06 here: https://soundcloud.com/user-972848621-463073718/episode-81-rich-people-are-deeply-diseased-w-special-guest-brendan-oconnor#t=1:11:06.
Yes, even the ones that you don’t like. Here’s a quote from Spoken Soul by John Russell Rickford and Russell John Rickford (2000: 92). It’s perfect in expressing the point that all language varieties have rules:
Every human language studied to date – whether loved or hated, prestigious or not – has regularities or rules of this type [i.e. conventional and systematic ways of pronouncing, modifying, and combining words]. A moment’s reflection would show why this is so. Without regularities, a language variety could not be successfully acquired or used in everyday life, and this applies to Spoken Soul, or Ebonics, as much as to the “Received Pronunciation,” or “BBC English,” of the British upper crust. Characterizations of the former as careless or lazy, and of the latter as careful or refined, are subjective social and political evaluations that reflect prejudices and preconceptions about the people who usually speak each variety.
That is so good. The book that it appears in is about Black English (also called African American Vernacular English), so of course Rickford and Rickford had to address the (uninformed) idea that Black English is just “English without rules.” It’s not and it never was.
You don’t get to claim that some specific group(s) of people don’t have any rules to the way they speak. Because if you claim that, it will say more about your judgment of those people than it will about your assessment of their language. (Well, it will also say that you’re not very good at making assessments about language.)
Every language variety follows systematic rules. Every single one. Not some. Not most. All of them. They may not follow the same rules as each other, but they follow rules nonetheless.
Earlier this year, I wrote about an episode of NPR’s Code Switch and I was highly critical. The problems with that show weren’t the fault of the hosts, but rather a theater professor who was out of his league talking about American accents (much like I would be out of my league talking about theater in a radio interview). But Code Switch is back with another episode on linguistics and… Wow, is it good! I mean really, really good. They talked to linguists and language scholars about the origin of Broadcaster English and how there is no single variety of Standard American English. They also got into the stigmatization of accents in society and the media and what that means for people (with the help of Prof. Okim Kang, who has been studying this topic).
And like a good news article, they put a human perspective on it by talking to someone who has been dealing with the problems that come from the insistence that newscasters speak Standard American English.
And if that’s not enough for you, then you’re in luck. These are some big topics in linguistics. There’s much more out there for you to learn about them.
The Flash’s kids have the same name if you have the Don-Dawn merger.
Some genuinely weird stories appear in the catalog, such as “Superman’s Lost Century,” the epic Mordru arc beginning in Adventure Comics vol.1 No.369, and the debut of Barry Allen’s immediate offspring Don and Dawn Allen a.k.a. The Tornado Twins in Adventure Comics vol 1 No.373 (Oct 1968). Who in the world would give their twins a homophone for a pair of names? I mean, the answer is Barry Allen and his wife Iris, but I pose the question rhetorically.
He’s right – the Mordru arc is a genuinely weird Superman story. No, I kid. He’s also right that the names Don and Dawn are pronounced the same by many speakers. It’s called the low back merger and it’s also what makes people pronounce the words cot and caught the same. Without the merger, the word Don is pronounced /dɑn/, while the word dawn is pronounced /dɔn/. So it’s only the vowel that distinguishes them, with the first vowel being more open and farther back in the mouth than the second vowel. But in the merger, the vowel in the word dawn shifts down to the vowel in Don and they become homophones.
So who has this merger? Well, according to the Atlas of North American English, the merger is “is characteristic of a very large part of the geographic terrain of North America” (Lobov, Ash & Boberg 2005: 60). The Atlas gives this map, where people who are inside the green line have the merger and the green dots represent people who both hear and speak the words Don and dawn identically.
It makes sense that the names of the Flash’s kids could be Dawn and Don. Barry Allen, aka the Flash, is from Iowa, which falls outside of the merger boundary in the image above. And he operates as the Flash in Central City, Missouri, another place outside of the low back merger area. The only thing is that the Tornado Twins Don and Dawn were born in the 30th century, which proves that the low back merger will never fully sweep across North America. Even 10 centuries from now there are places where Don and dawn are pronounced differently. Now you know.
Comedian Michelle Wolf was on NPR’s Fresh Air recently and the host, Terry Gross, asked her about her voice (at around 12:30 in this interview):
Let’s talk about your voice. I wasn’t sure how you’d sound as yourself, not on stage but just, like, talking to me. And I’d say your voice sounds, you know, sounds a little different when you’re just talking to me. Does your voice change on stage naturally? Do you emphasize certain qualities in it when you’re on stage?
I bring this up because things could have gone very bad at this moment… but they didn’t! I was bracing for some bad linguistics that thankfully never came. Wolf talks about how she wants to sound better in the interview because she respects Gross’s voice and Gross stresses that she thinks Wolf’s voice is fine and that her own voice changes when she tries to speak louder.
But this is interesting because the interview plays a clip of Wolf making jokes about people complaining about Hillary Clinton’s supposedly shrill voice. The term shrill is only applied to women and it’s some dog-whistling misogyny. As Gross and Wolf discuss in the interview, people’s voices change when they are speaking on stage – and that’s fine! Think about how Chris Rock speaks in his comedy specials. I don’t remember anyone ever asking him about his bombastic tone. Or how Jerry Seinfeld’s whining delivery (dare I say his “shrill tone”?) is endearing. No one sees that as a problem.
So it was nice to see the Fresh Air interview not go down a language-shaming rabbit hole. I wish more discussions between non-linguists on women’s voices were like this.
There was some press recently about a new study which seems to claim that you can’t become fluent in a second language if you start learning it after age 10. In fact, the study* did not talk about fluency at all. As this article in the Conversation UK by Prof. Monika Schmid points out, the media misinterpreted what the study showed. I’m glad Schmid wrote this piece, which not only clears up the media’s confusion with the study, but also explains some other things about fluency in linguistics. I read the study in question and it seemed pretty legit. I have some misgivings about the idea of nativeness in language learning and about how the questionnaire says that India isn’t a “traditional English speaking country”. And also how the quiz said that “Canadians, Irish, and Scottish accept I’m finished my homework instead of with my homework,” when this is also very common in and around Philadelphia**.
But all in all, it seems to be an interesting linguistics study that got blown out of proportion by the media. File it with the rest.
* The title of the study is “A critical period for second language acquisition: Evidence from 2/3 million English speakers”. Does anyone else find “2/3 million English speakers” ungrammatical?
**It might just be me, but the phrase “Canadians, Irish, and Scottish accept X” also seems ungrammatical. “Canadians accept X” is ok, but “Irish accept X” and “Scottish accept X” are not, at least not in my variety of English. The latter two need articles before them or the word people after them: “The Irish accept X”, “Scottish people accept X”. I don’t know of any variety where “Canadians, Irish, and Scottish accept X” is correct. This is just a bit of irony in a quiz about the grammaticality of different clauses.
The Alice Cooper song “Poison” features lyrics rhyming the words hot and caught:
Your mouth, so hot
Your web, I’m caught
Rhyming these words is an example of the cot–caught merger. In linguistics, a merger is when the vowel sounds of two words move together to become the same sound. If you say the words cot and caught the same way, or if hot rhymes with caught, then you have the cot–caught merger. The cot–caught merger is sometimes described as if it’s a yes-or-no phenomenon, but in reality – like in all things in linguistics – it’s more of a continuum.
Alice Cooper doesn’t really pronounce the vowels in hot and caught the exact same way. That could be because Alice Cooper is from Detroit, Michigan, a place which doesn’t have the cot–caught merger. Or maybe the other two writers of “Poison” were taking poetic license with the rhyming of these words. The other writers are Desmond Child, who’s from Gainesville, FL (a place resistant to the cot–caught merger) and John McCurry – but I don’t where he’s from. Either way, the merger is more of a yes-no-maybe-so kind of thing. That means there are speakers with the merger who live in areas where most speakers do not have the merger and vice versa. And there are speakers who have the merger only in certain words or environments, such as before nasal consonants so that the vowels in Don and dawn are merged.
Here’s Alice Cooper singing “Poison” live in 1989 (video starts at the hot/caught lyrics, but rewind it to listen to a flaming guitar solo straight outta the 80s):